Awaiting Fate

Crosby Beach, Sefton, UK. 

One of Antony Gormley’s iron men from the Another Place installation at Crosby. 


Broken II

Heysham, Lancashire, UK. 

This broken lighthouse is near Morecambe, UK. It’s been a while since I managed to get out with my camera so I thought that this lighthouse would sum up how I’m feeling regarding my health lately.


The Shell

Rossall Beach, Cleveleys, Lancashire, UK. 

Mary’s Shell can be found on the beach at Cleveleys which is just north of Blackpool, England. It is 8m long, 4m tall and weighs in at 16.5 tonnes, with words from the story of the Sea Swallow etched inside. The story tells a fairy tale that blends legend with local features, including sunken villages and the petrified forest which you can still see on the beach today.


Waiting

Crosby Beach, Merseyside, UK. 

One of Sir Antony Gormley’s iron men from the ‘Another Place’ installation at Crosby. As these statues have been here for a while now, they’re beginning to become covered in barnacles etc.


Old Railings

Morecambe, Lancashire, UK. 

These railings mark the edge of an abandoned slipway which has now been left to erode into the sea.


Perch Rock II

Wallasey, Wirral, UK. 

After not leaving the house for a few weeks due to being poorly, I felt that some time at the beach would wash away the cobwebs so to speak. After looking on various weather apps and tide times, I decided that a trip to New Brighton on the Wirral, England would be the best bet, plus I really like this beach as it is clean although there is the odd jellyfish to watch out for! As it was the school holidays and very hot weather, we decided to visit later on in the afternoon when the crowds had died down and it wouldn’t be quite as hot. When the tide was coming back in and it was nearly time to leave, I set up my camera and tripod and captured this image in two separate frames so that I could fit in all of the foreground and to ensure that I could use a long enough focal length so that the lighthouse didn’t seem tiny in the final picture. I captured this image then moved to my left when I took the image that I posted just before this one. After this is was time for icecream and a drive back home.

Editing the two images was quite straight forward. I selected the two frames in Lightroom and stitched them into a panorama using the very easy to use stitch function. I then sharpened the image and cropped it into this composition before desaturating and slightly adjusting the contrast.


Before The Blizzard

Stanage Edge, Peak District National Park, UK.

The conditions at Stanage Edge on Thursday were extremely changeable and cold. When I got out of the car I could see rain developing over Mam Tor which is to the right of this image (and a few miles away). I thought that as it only just looked as though it was building up, I would have plenty of time to get to the millstones, grab a few pictures and get back to my car before it came my way. How wrong was I! Needless to say, the fine yet heavy hailstone and ice cold winds soon had me retreating back to the warmth of the in-car heating! Luckily, this is an area which I have visited before so had the composition in mind before arriving. This image was taken in the five minutes that I was at the location!
Editing was quite simple for this image. I used the heal tool in Photoshop to remove a few parked cars on the horizon and a bit of sheep poo that was distracting! I then desaturated the image and used the dodge and burn tools to boost the contrast. A slight vignette and crop finished the picture off.


I Spy

Morecambe, Lancashire, UK. 

This weeks image was born out of frustration and a chance encounter. On Tuesday, I went up to Morecambe to shoot some long exposure seascapes that I’d tried to do a few weeks ago (on that occasion I’d left my spare camera battery at home & the one I had was almost drained). Upon parking my car and setting up on the promenade I came across three words on my camera screen which hit my heart like a lead weight; ‘insert memory card’! Absolutely devastated, I then realised that I’d taken the card out of my camera to upload my previous shoot to the computer and that i hadn’t put it back in my bag. I also realised that my box of spare cards was on my desk, also at home. It’s typical as the conditions at the beach were perfect. The lighting was just right, the tide was at the right height, the clouds were moving nicely etc. Frantically I opened Google maps on my phone and located a Morrisons supermarket around the corner, they’d sell SD cards surely… After searching the store and finally asking a member of staff it turns out that they don’t sell them(!!) Feeling like my day had been ruined, I left the store, preparing to drive the 90 minutes back home. Luckily next door was an Argos! Praying that they had some cards in stock I went in and there they were, hanging on a rail at the checkout! I quickly paid for one and headed back to the promenade, my day wasn’t ruined after all! Or so I thought. When I arrived, I realised that the tide had moved a lot in the thirty minutes since I left and it was now far away in the distance. I thought about just packing up and going home as it really seemed as though the odds were against me! However, I noticed that the sea was just about still swirling around the stone jetty, the water rushing over the mounds of sand and clearing before the next surge arrived. As quick as I could, I made my way there hoping that I could find something to shoot. Whilst looking at the channels of water slowly making their way across the sand and into the sea, I noticed the bench at the end of the jetty (which seems more like a stone pier to me). As I was finding a good composition, two older ladies sat down for a few minutes. Thinking that they would make great subjects, I set up my camera and decided that a couple of seconds exposure time would blur the clouds and sea sufficiently yet hopefully I could time the capture just right so that they remained motionless. As soon as I’d finalised all of my settings, they stood up and left. This was not my day! I then noticed the gentleman who is in my final image. He had been stood at the other side of the jetty and now made his way over to the bench, setting his bicycle against the railings beforehand. A rush of relief then hit me when I saw the binoculars in his hand as I knew that he would remain almost statuesque at some point whilst observing the birds. A three second exposure is all it took to achieve my final image. Something a little different compared to my usual work but yet still felt right to me.
Editing was quite simple. I converted the image to black and white and adjusted the tones to achieve a light yet balanced atmosphere. I then chose a 5:4 crop as it seemed to fit the composition better than the standard 3:2.
After all this I have realised that even when plans don’t work out, there is always a subject to be found 🙂


Guiding

 

Crosby Beach, Crosby, Merseyside, UK. 

This week I travelled to Crosby in Merseyside, England to capture images of the iron men statues by Antony Gormley which are installed on the beach. When I arrived, the tide was crashing over the sea wall so I looked around for another subject whilst waiting for the tide to recede. This huge wooden marker stood out instantly so I played around with compositions until I had the above shot. I was constantly having to wipe my filters as the sea spray and damp air were causing havoc with them, leaving water droplets before I had even taken a shot! Luckily the above image wasn’t too affected by this. Unfortunately, arriving at the beach just after high tide meant that by the time I left, the iron men were still hidden under the water which was still lapping over the sea wall. Although I hadn’t got the image that I went for, I’m still happy with this one which shows that if things don’t go to plan, there is still potential to find something to shoot.
Editing the image was quite simple. I adjusted the crop to a 16:9 ratio as this gave the emphasis on the marker and sky which led to a cleaner image. I chose a symmetrical composition simply to create something a little different. The colours were then desaturated and I burnt the top section of the sky to give balance to the sea.


Guardians

Wallasey, Wirral, UK. 

This weeks image comes from New Brighton beach and the concrete sea defenses. I decided to go for a minimalist approach to bring out the detail on the concrete so reduced the sea and sky by using a long exposure.
Editing this image was quite simple, I did some light dodging and burning in the sky and defenses and a monochrome conversion.


Tu Hwnt i’r Bont

Llanrwst, North Wales, UK.

On the edge of Snowdonia National Park, this listed building is currently owned by the National Trust and used as a tearoom. I have wanted to take a picture of this building for a while but the conditions were never right. Luckily, I planned this weeks visit just as the clouds rolled in!

To edit, I cropped the image to a 16:9 ratio to even out the composition. I then desaturated the colour and boosted the contrast.


The Lighthouse

Morecambe, Lancashire, UK.

Before becoming a lighthouse, this building was a railway station, taking passengers to the boats moored on the Stone Jetty. Now a grade II listed building, I felt that this would be a great addition to my solitude project. Using a ten stop neutral density filter to smooth the sea and sky, I created a thirty second exposure. After taking this image my battery finally gave up on me and it was then that I realised that the spare was in my other camera bag! Absolutely gutted I left Morecambe and drove home. Processing the image was very simple. After a monochrome conversion, I sharpened the image slightly and improved the contrast.


Llyn Ogwen

Llyn Ogwen, Snowdonia National Park, UK. 

This week saw me driving to Snowdonia National Park in North Wales. I’ve always loved it here and knew that having a drive around the park would inspire me. I decided to enter the park from the Anglesey side and make my way home down the A5, stopping when I could. Shortly after leaving Bethesda I saw a small weir on my right so pulled in at the first opportunity as water is my favourite subject. Upon grabbing my kit and leaving the car I saw the building (boathouse?) and tree and could not resist setting up a shot. Using my 10-18mm lens, I captured a series of images which would later be stitched in Photoshop. I experimented with using different strength filters and exposure times as I wanted to capture movement in the clouds but not too much in the tree which is always a challenge in windy conditions! After around 10 minutes I was very cold so decided to get back in the car and see what else I could find, although this subsequently ended up being nothing as the light had dipped too low behind the mountains. Once I was home, I stitched 6 images together in Photoshop to create the foreground and used a wider long exposure image to create an even sky and water surface. I used luminosity masks to achieve this along with the clone stamp. This was definitely one of my more edited shots as I never normally edit an image for longer than 5 minutes but I felt that to do the location justice, a more heavy processing technique was necessary. I chose this image to use as my entry into this weeks WPOTY competition due to the length of time I spent getting it perfect and am pleased to announce that it was shortlisted! This image has become my most popular on social media networks (especially #Instagram and #500px) in less than 24 hours!


Monochrome Moods

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Salford Quays, Greater Manchester, England.

Some bad weather moodiness at Salford Quays.


Salford Quays at Night
Salford Quays, Greater Manchester, England.

A few more from Salford Quays, this time after sunset. I’m beginning to like architectural photography yet it’s something that I’ve never considered doing before. It was the water that drew me in to shooting here since it’s my favourite subject.


Fog at the Quays

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Salford Quays, Greater Manchester, England.

Decided to try something new this week. These images were taken at Salford Quays in the recent foggy weather.


Jetties

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There’s something about jetties that just makes a good image. I love sitting on them, inches above the water and feeling completely at peace.


Derwent Reservoir

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Derwent Valley, Peak District National Park, England.

Sometimes I like to go to very quiet places away from everything and just sit there listening to nature.


Published – Amateur Photographer Magazine

This morning I opened my weekly issue of Amateur Photographer magazine and was delighted to see that three of my ‘Salford Quays at Night’ project were on page 33! I was contacted a few weeks ago asking me to send in a CD with ten photographs on it for selection which shocked me quite a bit, I mean, I’ve only had a ‘proper’ camera since September! Anyway, I sent the pictures in and here’s the result. This series of images has also been requested by City & Guilds to be hung in the reception of their brand new Head Office alongside my classmates!


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