The Black Horse Hotel, Salford, UK.
Wallasey, Wirral, UK.
After not leaving the house for a few weeks due to being poorly, I felt that some time at the beach would wash away the cobwebs so to speak. After looking on various weather apps and tide times, I decided that a trip to New Brighton on the Wirral, England would be the best bet, plus I really like this beach as it is clean although there is the odd jellyfish to watch out for! As it was the school holidays and very hot weather, we decided to visit later on in the afternoon when the crowds had died down and it wouldn’t be quite as hot. When the tide was coming back in and it was nearly time to leave, I set up my camera and tripod and captured this image in two separate frames so that I could fit in all of the foreground and to ensure that I could use a long enough focal length so that the lighthouse didn’t seem tiny in the final picture. I captured this image then moved to my left when I took the image that I posted just before this one. After this is was time for icecream and a drive back home.
Editing the two images was quite straight forward. I selected the two frames in Lightroom and stitched them into a panorama using the very easy to use stitch function. I then sharpened the image and cropped it into this composition before desaturating and slightly adjusting the contrast.
Stanage Edge, Peak District National Park, UK.
The conditions at Stanage Edge on Thursday were extremely changeable and cold. When I got out of the car I could see rain developing over Mam Tor which is to the right of this image (and a few miles away). I thought that as it only just looked as though it was building up, I would have plenty of time to get to the millstones, grab a few pictures and get back to my car before it came my way. How wrong was I! Needless to say, the fine yet heavy hailstone and ice cold winds soon had me retreating back to the warmth of the in-car heating! Luckily, this is an area which I have visited before so had the composition in mind before arriving. This image was taken in the five minutes that I was at the location!
Editing was quite simple for this image. I used the heal tool in Photoshop to remove a few parked cars on the horizon and a bit of sheep poo that was distracting! I then desaturated the image and used the dodge and burn tools to boost the contrast. A slight vignette and crop finished the picture off.
Taken just after sunset on a very quick (less than 30 minutes) trip to Cromer last Thursday. I don’t normally travel this far but as one of my images was in the WPOTY Exhibition in Norwich I was in the area. Before leaving home, I researched seaside locations that were in easy reach of Norwich and decided that Cromer seemed like it had plenty to offer. My aim was to get to the groynes too but time was ticking on, it was quickly getting dark and I was in an unfamiliar place so decided to leave. This image is probably one of the most edited that I’ve ever done purely because there were some big industrial bins on the right hand side of the pier. To remove these bins, I created a second layer in Photoshop, flipped it horizontally and with the aid of a mask, brushed over the bins. Then I removed a couple of minor details to improve the composition and converted the image to black and white. The only thing that I’m not happy with is that the lights are not central to the Pavillion but this is because they were not straight and only a high level of editing could correct this which I felt might ruin the charm of the pier. This image was my third to be shortlisted in the WPOTY competition!
I drove to this street in Ancoats that I had seen a few day shots of on social media. Originally the houses were built for the workers of the factory at the end of the street, but in a rapidly regenerating city this is now a melancholic reminder of how things were. I love the historic charm of these terraces and being stood at the end of the street felt almost like I was stood in a museum! The night sky shrouded the modern buildings in darkness, hiding their often unimpressive features from my cameras view. As I was shooting handheld and wanted to keep my ISO as low as possible, I chose to use an aperture of f2.8. This probably seems like a strange choice but I think that it has actually worked well as the shallow depth of field along with the pools of light has added atmosphere to my image and helped to recreate my feelings at the time of capture. The only post processing was a conversion into monochrome and basic image adjustments to preserve as much of the original features as possible.
I am very pleased to announce that this image was shortlisted in this weeks WPOTY competition!